The exhibition was curated by Alexander Jones, Professor of the History of the Exact Sciences in Antiquity at ISAW, who is also part of the Antikythera Mechanism Study and Research team. The spectacular objects in the exhibition included artifacts that illustrated thetechnology of ancient timekeeping and the social role and perception of time, as well demonstrated the perspective of time’s role in the universe, the environment, and human destiny. This ground-breaking show aimed to explore the ways in which time was conceived, organized, and recorded in the Greco-Roman world. In this manner, this essay not only contributes to fundamental research relating to time and the perception of time in the Middle Ages and the Early Modern period, but also offers insights into how Kairos can function as a hermeneutic key when it comes to the image and its embedding in cultural historic dynamics.įrom October 19, 2016-April 23, 2017, ISAW mounted an exhibition entitled Time and the Cosmos in Greco-Roman Antiquity. Kairos offers an alternative hermeneutic in which the image can be seen as chronotopos, epiphany and interruption. This essay not only tests the literary-historical impact and iconographic Nachleben of Kairos, but also the concept of opportunity as a paradigm for art history. Moreover, Kairos experienced a revival in humanist iconography as a pendant of Poenitentia (remorse). In recent years studies from an iconographic standpoint have examined the survival of the Greek deities in Byzantine and Latin pictorial traditions, where Kairos is connected to Fortuna and Occasio. From a literary historical standpoint, it is known that Kairos had a great impact on classical rhetoric (Sophists versus Aristotle (385 BC – 322 BC)), on political humanist philosophy, on the post-modern theological-philosophical discourse about time and opportunity in the works of Paul Tillich (1886–1965), Walter Benjamin (1892–1940) and Evanghélos Moutsopoulos, for example, and on the current revival of Kairos as a model for a new type of time management in both business and personal life. There is a Greek deity who embodies this mystery: Kairos. The split is the epiphany of the radical change, the revolution and the transition beyond. The primordial cosmogonic split is always sudden, sharp (like a knife), like a flash (at-once and all-over) and is lived through the whole bodily sensorium (shivering, bliss, sigh, wind, breath). The meaning of tearing and splitting as a life-, love- and wisdom-generating event (like the tearing of the Temple curtain) is profoundly rooted in the visual and literary ‘body’ of ancient and Christian thought. One is justifiably famous, the other has remained obscure and undeservedly faces a future of even less renown. One brings into play the problems entailed in understanding the changing mechanisms and agents involved in the act of dedication, the other the problems of making sense of the diversity of sculpture’s formats and locations. One is a freestanding bronze statue group from the Athenian Agora, the other a grave relief from the borders of the Greek world. I focus on two case studies selected to give as wide as possible a cross section of the formats of classical sculpture and their conditions of display. Even though we cannot see their art as the Greeks did, we can nevertheless examine the temporal frameworks through which monuments created their possibilities of reception. Pentecost is placed in the context of history and missionary outreach to assist Charismatic leaders in integrating their tradition with the Redeemer’s constant movement toward all peoples and na tions.This chapter aims to demonstrate that, to gain traction on aspects of ancient experience, we need to concentrate less on the stylistic choices by which sculpted bodies materialized beliefs about living bodies than on the ways in which the sculptural monument as a whole shaped the durational aspects of its being perceived. Though broad in scope, his treatment of the various disciplines is deep enough to serve as a great resource for pastors who want their preaching to reect the heart of God. Cary Church of God World Missions “This book by Grant McClung draws from the Scriptures, missiology and history to give us many relevant lessons for this electronic age. It will broaden their vision and increase their burden for the lost of this world, particularly those in the 10/40 Window who have not yet heard the good news that Jesus is both Savior and Lord.” Lovell R. That from the very rst verse and chapter in Genesis to the last chapter and verse in Revelation, world evangelization is at the heart of God’s revelation of Himself and His Son.
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